Colin Self
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Nude Triptych from Prelude to 1000 Temporary Objects Of Our Time (Vol. 1). 1971, edition of 60
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Cinema No. 6. 1965, pencil, coloured crayons and collage on paper 35 x 53 cm, signed, dated and titled lower left
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Oblique Head In Sterile Landscape. 1964, painted fibreglass and aluminum, 88.9 x 94 x 11.4 cm
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She's got everything she needs. She's an artist. She don't look back. Fallout Shelter 5. 1965, pencil, coloured pencil, glitter, fluorescent paper, 51 x 41 cm
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Marauder. 1968, photo etching laid onto screened red sheet, 57 x 79 cm, inscribed prelude to the series, Power & Beauty. Edition 14/15
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Picasso's Guernica and The Nazis. 1968, lithograph, ink and red biro, 18.7 x 32.2 cm
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Unique Car. 1968, photo-screenprint, 67.8 x 105.8 cm, published with Power and Beauty Series Vol. 1. by Editions Alecto
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Poster Poem: Electric Chair (with Christopher Logue). 1968, off-set lithograph, 97.6 x 40.2 cm
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Alsatian Guard Dog on Missile Base, No 3. 1966, aerosol, pencil, coloured pencil, poster colour and collage, 39 x 57 cm
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New York Street and Woman. 1964, pencil and crayon on paper, 37 x 56 cm
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Detail from Margaret on a Leopard Skin Sofa. 1963, coloured pencils and pencil, 35 x 52 cm
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Woman Making Up with Curtain and Cigarette Lighter. 1964, coloured pencils, 40.6 x 32.7 cm
Colin Self was born in Norwich in Norfolk, England in 1941. Self’s early years were spent there in a community of 1930s bungalows. Nearby was the RAF Horsham St Faith, a Royal Air Force station that operated through the war and until the early 1960s. Read biography»