In his studio Law sat in a chair to ponder his paintings, and that piece of furniture subsequently became part of his sculptural repertoire, drawing on his early work as a carpenter. Now empty, the chair conjures the absent body of Law and a lineage of artists stretching back to Vincent van Gogh who have used this everyday object as a poignant stand-in for the self. The work explicitly conjures Law's bodily relationship with this abstract field, while suggesting further possibilities for contemplation and transformation.