FOR CHARLES HARRISON: When Attitudes Became Form
Past exhibition
Overview
Roelof LOUW
Pyramid (Soul City), October 1967
±6,000 oranges
152.4 x 167.6 x 167.6 cm
Karsten Schubert and Richard Saltoun are pleased to announce this survey exhibition of conceptual art to commemorate the publication of Charles Harrison Looking Back (Ridinghouse, 2011). Adapting the premise of Harrison's seminal exhibition When Attitudes Become Form (ICA, London, 1969) this dynamic show unites avant-garde British artists with groundbreaking artists from 1960s Europe and America.
Works
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Keith ARNATT, Untitled, c 1968 -
Keith ARNATT, Untitled, c 1968
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Keith ARNATT, Untitled, c 1968
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Keith ARNATT, Self Burial (In Nine Stages), 1969
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Art & Language, Map of a 36 square mile area of the Pacific Ocean west of Oahu, 1967
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Art & Language, Study after Gustave Courbet's 'L'Origine du monde', 1992
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Joseph BEUYS, Buttocklifting, 1974
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Victor BURGINRoom, 1970Set of 18 typed A4 sheets of paper,
display copy29.7 x 21 cm -
Victor BURGINPossession, 1976duotone lithograph118.9 x 84.1 cm
46.8 x 33.1 in -
Ger Van Elk, The Discovery of the Sardines, 1971
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Ger Van Elk, A Beam Too Long to be Photographed, 1972
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Ger Van Elk, The Rose more Beautiful than Art, but Difficult, therefore Art is Splendid, 1972
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Barry FLANAGAN, Pdreeoo, 1965
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Barry FLANAGAN, Four sacks of sand with rope, c 1967
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Barry FLANAGAN, Hole In The Sea (triptych), 1967-70
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Barry FLANAGAN, Black Ad, 1970
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Hamish FULTON, Moonset and Moonrise, 1969-71
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Ed HERRING, Float, 1969
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Roelof LOUWPyramid (Soul City), October 1967±6,000 oranges152.4 x 167.6 x 167.6 cm
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John LATHAMBen, 1966silkscreen on canvas with flourescent printing inks66 x 86 cm
26 x 33.9 in -
John LATHAM1 Second Drawing, 1971spray gun on primed wood32.5 x 23 cm
12.8 x 9.1 in -
Richard LONG, Nomad Circle, 1996
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Bruce McLEAN, The Invisible Sculpture, 1969
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Bruce McLEAN, King for a Day, 1969
