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  • PREVIEW

    7TH FLOOR
    • Paulo BRUSCKY Telegramarte 1, 1978 17 loose sheets (photocopied, rubber stamped, fingerprints, ink, handwriting, collage), postal envelope 17.5 x 23 cm Edition 1 of 50
      Paulo BRUSCKY
      Telegramarte 1, 1978
      17 loose sheets (photocopied, rubber stamped, fingerprints, ink, handwriting, collage), postal envelope
      17.5 x 23 cm
      Edition 1 of 50
    • Paulo BRUSCKY XEROPERFORMANCE, 1980 Collaged envelope, 1 gelatin silver print and 40 xerographs 32 x 21.5 cm (each)
      Paulo BRUSCKY
      XEROPERFORMANCE, 1980
      Collaged envelope, 1 gelatin silver print and 40 xerographs
      32 x 21.5 cm (each)
    • Graciela GUTIERREZ-MARX, Mamablanca: Family Group Assembling. La Plata, Argentina., 1980
      Graciela GUTIERREZ-MARX, Mamablanca: Family Group Assembling. La Plata, Argentina., 1980
    • Hans HAACKE, Birth Certificate of My Son (collaboration Linda & Hans Haacke), 1969
      Hans HAACKE, Birth Certificate of My Son (collaboration Linda & Hans Haacke), 1969
    • Hans HAACKE, Upstairs at Mobil: Musings of a Shareholder, 1981
      Hans HAACKE, Upstairs at Mobil: Musings of a Shareholder, 1981
    • Peter KENNARD Mandela, 1990 Photomontage - Gelatin silver prints and wood on card 31 x 44 cm
      Peter KENNARD
      Mandela, 1990
      Photomontage - Gelatin silver prints and wood on card
      31 x 44 cm
    • Peter KENNARD, Stop 10, 1968 - 76
      Peter KENNARD, Stop 10, 1968 - 76
    • Berni SEARLE Colour me series, 1998 Set of 4 Lightjet on Fuji Crystal Archive Matt paper Each: 42 x 50 cm Edition 4 of 10 + 1 AP
      Berni SEARLE
      Colour me series, 1998
      Set of 4 Lightjet on Fuji Crystal Archive Matt paper
      Each: 42 x 50 cm
      Edition 4 of 10 + 1 AP
    • Berni SEARLE To hear, to see, to speak (from the 'Into the dark' series), 2014 Archival digital prints Each print :45 x 45 cm, 45 x 55 cm, 45 x 45 cm Edition of 5 + 2 AP
      Berni SEARLE
      To hear, to see, to speak (from the 'Into the dark' series), 2014
      Archival digital prints
      Each print :45 x 45 cm, 45 x 55 cm, 45 x 45 cm
      Edition of 5 + 2 AP
    • Colin SELF, Bomber No II (6th Monument), 1965
      Colin SELF, Bomber No II (6th Monument), 1965
    • Colin SELF, Bomber No. 1, 1963
      Colin SELF, Bomber No. 1, 1963
    • Marinella SENATORE, Can one lead a good life in a bad life?, 2019
      Marinella SENATORE, Can one lead a good life in a bad life?, 2019
    • Marinella SENATORE, Can one lead a good life in a bad life?, 2019
      Marinella SENATORE, Can one lead a good life in a bad life?, 2019
    • Marinella SENATORE, Can one lead a good life in a bad life?, 2019
      Marinella SENATORE, Can one lead a good life in a bad life?, 2019
    • Marinella SENATORE, Can one lead a good life in a bad life?, 2019
      Marinella SENATORE, Can one lead a good life in a bad life?, 2019
    • Marinella SENATORE, Can one lead a good life in a bad life?, 2019
      Marinella SENATORE, Can one lead a good life in a bad life?, 2019
    • Marinella SENATORE, Can one lead a good life in a bad life?, 2019
      Marinella SENATORE, Can one lead a good life in a bad life?, 2019
    • Marinella SENATORE, Can one lead a good life in a bad life?, 2019
      Marinella SENATORE, Can one lead a good life in a bad life?, 2019
    • Marinella SENATORE, Can one lead a good life in a bad life?, 2019
      Marinella SENATORE, Can one lead a good life in a bad life?, 2019
    • Edgardo Antonio VIGO Argentina '74, 1974 letterpress on paper 55 x 25 cm
      Edgardo Antonio VIGO
      Argentina '74, 1974
      letterpress on paper
      55 x 25 cm
    • Edgardo Antonio VIGO El "systema" coagula rapido la sangre del pueblo, 1972 letterpress, woodcut and collage on paper, with strings 52 x 33 cm
      Edgardo Antonio VIGO
      El "systema" coagula rapido la sangre del pueblo, 1972
      letterpress, woodcut and collage on paper, with strings
      52 x 33 cm
    • Edgardo Antonio VIGO Renacér [Revive], 1970 Collage and xylograph 65 x 50 cm Edition 2 of 5
      Edgardo Antonio VIGO
      Renacér [Revive], 1970
      Collage and xylograph
      65 x 50 cm
      Edition 2 of 5
    • Edgardo Antonio VIGO El Tapon del Rio de la Plata [The Stopper of the Rio de la Plata], 1973 Xerox prints on paper, in handmade postal envelope 55 x 40 cm
      Edgardo Antonio VIGO
      El Tapon del Rio de la Plata [The Stopper of the Rio de la Plata], 1973
      Xerox prints on paper, in handmade postal envelope
      55 x 40 cm
    • Edgardo Antonio VIGO Los Espejos de Gades [The Mirrors of Gades], 1988 Xylograph 50 x 40 cm Edition 4 of 6
      Edgardo Antonio VIGO
      Los Espejos de Gades [The Mirrors of Gades], 1988
      Xylograph
      50 x 40 cm
      Edition 4 of 6
    • Edgardo Antonio VIGO Bi-tri-cicleta Ingenua [Ingenuous Bi-tri-cycle], 1960 Gelatin silver print 12 x 9 cm
      Edgardo Antonio VIGO
      Bi-tri-cicleta Ingenua [Ingenuous Bi-tri-cycle], 1960
      Gelatin silver print
      12 x 9 cm
    • Edgardo Antonio VIGO Opus 1, 1978 Collaged xylographs with string 50 x 70 cm Edition 5 of 10
      Edgardo Antonio VIGO
      Opus 1, 1978
      Collaged xylographs with string
      50 x 70 cm
      Edition 5 of 10
    • Edgardo Antonio VIGO Las Mil Caras Sudamericanas [The Thousand South American Faces], 1978 Xylograph on card 50 x 70 cm Edition 2 of 8
      Edgardo Antonio VIGO
      Las Mil Caras Sudamericanas [The Thousand South American Faces], 1978
      Xylograph on card
      50 x 70 cm
      Edition 2 of 8
    • Edgardo Antonio VIGO Caprichoso Ordenamiento de Tuegos de Nìnez [Capricious Order of Childhood Games], 1981 Xylographs and collage with strings 50 x 70 cm Edition 3 of 9
      Edgardo Antonio VIGO
      Caprichoso Ordenamiento de Tuegos de Nìnez [Capricious Order of Childhood Games], 1981
      Xylographs and collage with strings
      50 x 70 cm
      Edition 3 of 9
    • Edgardo Antonio VIGO Otra Pagina de Narrativa Grafica [Another Page of Graphic Narrative], 1981 Xylograph 50 x 70 cm c. Edition 3 of 10
      Edgardo Antonio VIGO
      Otra Pagina de Narrativa Grafica [Another Page of Graphic Narrative], 1981
      Xylograph
      50 x 70 cm c.
      Edition 3 of 10
    • Edgardo Antonio VIGO Detalle de una Obra Conjunta que Nos Pertenece [Detail of a Work of Ours Made Together], 1978 Xylograph and letterpress on card 28 x 25 cm
      Edgardo Antonio VIGO
      Detalle de una Obra Conjunta que Nos Pertenece [Detail of a Work of Ours Made Together], 1978
      Xylograph and letterpress on card
      28 x 25 cm
    • Edgardo Antonio VIGO Atlas, 1983 Set of two xylographs with collage on handmade paper 20 x 22 cm
      Edgardo Antonio VIGO
      Atlas, 1983
      Set of two xylographs with collage on handmade paper
      20 x 22 cm
    • Edgardo Antonio VIGO Danza Ritual Macabra [Macabre Ritual Dance], 1992 Xylograph with collage on handmade paper 40 x 30 cm
      Edgardo Antonio VIGO
      Danza Ritual Macabra [Macabre Ritual Dance], 1992
      Xylograph with collage on handmade paper
      40 x 30 cm
    • Edgardo Antonio VIGO Grabadores de La Plata [Engravers of La Plata], 1972 Xylograph with collage on card 44.5 x 16 cm
      Edgardo Antonio VIGO
      Grabadores de La Plata [Engravers of La Plata], 1972
      Xylograph with collage on card
      44.5 x 16 cm
    • Edgardo Antonio VIGO Almanaque Biopsia [Almanac Biopsia], 1990 c. Linocut on collaged cardboard, rope 35 x 20 cm
      Edgardo Antonio VIGO
      Almanaque Biopsia [Almanac Biopsia], 1990 c.
      Linocut on collaged cardboard, rope
      35 x 20 cm
    • Edgardo Antonio VIGO Arte Platense: Panorama ‘72 [Art from La Plata: Panorama ‘72], 1972 Rubberstamp and letterpress on paper 25 x 17 cm
      Edgardo Antonio VIGO
      Arte Platense: Panorama ‘72 [Art from La Plata: Panorama ‘72], 1972
      Rubberstamp and letterpress on paper
      25 x 17 cm
    • Edgardo Antonio VIGO Primera Publicaciòn Relativuzgir [First Relativuzgir Publication], 1959 Xylographs, die-cut paper and collage 26.5 x 25.5 cm
      Edgardo Antonio VIGO
      Primera Publicaciòn Relativuzgir [First Relativuzgir Publication], 1959
      Xylographs, die-cut paper and collage
      26.5 x 25.5 cm
    • Ruth WOLF-REHFELDT, Faltung 1, 1978
      Ruth WOLF-REHFELDT, Faltung 1, 1978
    • Ruth WOLF-REHFELDT, Artmosphere, 1980
      Ruth WOLF-REHFELDT, Artmosphere, 1980
    • Ruth WOLF-REHFELDT, Information Bildung, c.1980
      Ruth WOLF-REHFELDT, Information Bildung, c.1980
    • Ruth WOLF-REHFELDT, Zeichensignal, c.1980
      Ruth WOLF-REHFELDT, Zeichensignal, c.1980
    • Ruth WOLF-REHFELDT, Figuration (3) IV, 1984
      Ruth WOLF-REHFELDT, Figuration (3) IV, 1984

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info@richardsaltoun.com

 

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+39 06 86678 388

rome@richardsaltoun.com

 

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