Eleanor ANTIN b. 1935

The second exhibition exploring themes of maternal experience, ‘Maternality,’ reflects on the etymological root of the word mother and its close relationship with material matter, the very substance from which...

Eleanor Antin has recreated her landmark feminist work 'CARVING: A Traditional Sculpture' (1972), where she photographed herself naked every morning whilst on a hardcore diet. Now, 45 years later, Antin has revisited the work for her exhibition 'Time's Arrow' at the Los Angeles County Museum of Art (LACMA), on view from 12 May until 7 July 2019. The exhibition will travel to the Art Institute of Chicago from 24 August until 5 January.

From March 2019 to March 2020, Richard Saltoun Gallery dedicated 100% of its exhibition and art fair programme to women artists. Titled 100% Women, the initiative was implemented to address the gender inequality that persists in the art world and encourage wider industry action through debate, dialogue and collaboration. It is now a leader in its representation of female artists, from avant-garde pioneers of the 1960s and ‘70s to a younger generation of female artists working today. It continues to support female artists through extensive research, partnerships and solo presentations at the gallery and online.

This exhibitions explores the global Conceptual art movement over two decades of photography, through the work of 26 artists from 13 countries. The presentation investigates different conceptual uses of photography within practices dealing with Feminism, political activism, performance and social critique.

WOMEN LOOK AT WOMEN, curated by Paolo Ugolini, inaugurates Richard Saltoun Gallery's new space on 41 Dover Street. The group exhibition explores feminine identity through the work of thirteen internationally renowned female artists, with each work on show reflecting a different aspect of the relationship women have with their own bodies and how they judge and respond to the physicality of other women.

Richard Saltoun Gallery proudly presents 'Eleanor ANTIN: Romans & Kings', the first exhibition in London of the pioneering American Feminist filmmaker, performance and conceptual artist. Her debut exhibition at at the gallery consists of recent and historical works from two of Antin’s most iconic bodies of work, including 'Helen’s Odyssey' (2007) and 'The Last Days of Pompeii' (2002).